PAUL NIEBANCK New York: A Walk in the Woods, Such Things Only Happen in Books (Keen); RX (Primary Stages); Blood and Gifts, In the Next Room or the vibrator play (LCT); A Picture of Autumn (Mint); Shockheaded Peter; Much Ado About Nothing, All’s Well That Ends Well, Coriolanus (Theatre for a New Audience); Pericles (TFANA at BAM); The American Clock, The Pussycat and the Expert Plumber Who Was a Man (Signature); Our Lot (Clubbed Thumb); Great Expectations; The Revenger’s Tragedy (Red Bull); Bill W. and Dr. Bob; Richard III, The Seagull, The Country Wife (The Pearl); Leaving Queens (Women’s Project).   Regional: In the Next Room or the vibrator play (Berkeley Rep – world premiere); Joan Dark (Goodman); Iago in Othello (Chicago Shakespeare Theater); The Devil’s Disciple, Of Mice and Men, Pygmalion, The Illusion, The Crucible (with Dana Reeve), Rhinoceros (Shakespeare Theatre of NJ); Maple and Vine, Death Tax, The Grown-Up (Humana Festival); King Lear (Syracuse Stage); Company (Kansas City Rep); Ah, Wilderness!, Much Ado About Nothing (Chautauqua Theater Company); Bee-luther-hatchee (St. Louis Rep); Born Yesterday (Delaware Theatre Company); Gross Indecency, Don Juan (Huntington Theatre Company); The Visit, The African Company Presents Richard III (Arena Stage); Skin of Our Teeth (Yale Rep); seasons with the Utah and Santa Cruz Shakespeare Festivals.  Sundance Institute/Public Theater workshop of Marcus Gardley’s And Jesus Moonwalks the Mississippi.  Television: Burn Notice; Gossip Girl; One Life to Live; As the World Turns. MFA, Yale School of Drama.